{"id":851,"date":"2016-09-02T03:00:44","date_gmt":"2016-09-02T07:00:44","guid":{"rendered":"http:\/\/nickzaino.com\/departmentoftangents\/?p=851"},"modified":"2016-11-08T23:57:13","modified_gmt":"2016-11-09T04:57:13","slug":"new-release-roundup-the-divine-comedy-angel-olsen-slim-cessnas-auto-club-warhaus","status":"publish","type":"post","link":"https:\/\/nickzaino.com\/departmentoftangents\/2016\/09\/02\/new-release-roundup-the-divine-comedy-angel-olsen-slim-cessnas-auto-club-warhaus\/","title":{"rendered":"New Release Roundup: The Divine Comedy, Angel Olsen, Slim Cessna&#8217;s Auto Club, Warhaus"},"content":{"rendered":"<p><strong>MUSIC<\/strong><\/p>\n<p>1. <a href=\"http:\/\/thedivinecomedy.com\/\" target=\"_blank\">The Divine Comedy<\/a> \u2013 <em>Foreverland<\/em><br \/>\nThe Divine Comedy\u2019s latest <em>Foreverland<\/em> is definitely a pop record, but of what age? The ornate arrangements on <em>Foreverland<\/em>, embellished by pizzicato strings, grand flourishes, and wide-open melodies, it brings to mind Gershwin or Rogers and Hammerstein more than anything in the current Top 40. A number of tunes sound like they should be crooned through a megaphone \u2013 \u201cI Joined the Foreign Legion (To Forget)\u201d chief among them. Even the concept is a romantic association of a time long past. One could still join the Foreign Legion to forget, but no one mentions it like they used to when people were reading Beau Geste in the \u201820s. \u201cFunny Peculiar,\u201d a duet with singer\/songwriter Cathy Davey, brings to mind a colorfully painted stage set of a park in summer and two lovers twirling parasols as they swoon and sing to each other. It\u2019s utterly charming. \u201cCatherine the Great\u201d starts with a whirling harp and a majestic horn line before giving way to classic pop beat and an overactive harpsicord. There\u2019s a bit of Beatles in there, too. The \u201cooh-la-las\u201d could have been sampled from \u201cNowhere Man.\u201d Ages shift, timelines mix. And it\u2019s all done with a fine sense of humor. Hard not to love the abrupt ending of \u201cOther People,\u201d as Hannon signs off with a rushed, \u201cAnd I blah blah blah.\u201d On the snappy chamber pop nugget \u201cHow Can You Leave Me On My Own,\u201d a panicked lover sings, \u201cWhen you leave I become a moron, a beer-swilling, time-killing moron\/I surgically remove all the green food from my diet\/I know I should be reading but I\u2019m too lazy to try it.\u201d The Divine Comedy might not be the only band writing baroque pop, but I can\u2019t think of anyone whose doing it this much confidence and loveliness.<br \/>\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/S4V7WBq72Gg\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"856\" data-permalink=\"https:\/\/nickzaino.com\/departmentoftangents\/angelolsen\/\" data-orig-file=\"https:\/\/nickzaino.com\/departmentoftangents\/wp-content\/uploads\/2016\/09\/angelolsen.jpg\" data-orig-size=\"225,225\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"angelolsen\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/nickzaino.com\/departmentoftangents\/wp-content\/uploads\/2016\/09\/angelolsen.jpg\" data-large-file=\"https:\/\/nickzaino.com\/departmentoftangents\/wp-content\/uploads\/2016\/09\/angelolsen.jpg\" src=\"http:\/\/nickzaino.com\/departmentoftangents\/wp-content\/uploads\/2016\/09\/angelolsen.jpg\" alt=\"angelolsen\" width=\"225\" height=\"225\" class=\"alignleft size-full wp-image-856\" srcset=\"https:\/\/nickzaino.com\/departmentoftangents\/wp-content\/uploads\/2016\/09\/angelolsen.jpg 225w, https:\/\/nickzaino.com\/departmentoftangents\/wp-content\/uploads\/2016\/09\/angelolsen-150x150.jpg 150w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/>2. <a href=\"http:\/\/angelolsen.com\/\" target=\"_blank\">Angel Olsen<\/a> \u2013 <em>My Woman<\/em><br \/>\nAngel Olsen\u2019s <em>My Woman<\/em> feels like the completion of an arc. <em>Half Way Home<\/em>, Olsen\u2019s debut full-length, established Olsen\u2019s talent for writing understated songs with spare, acoustic accompaniment. The folkie sound is mostly gone on the new album, replaced by a more lush, driving late 60s-pop sound. \u201cForgiven\/Forgotten\u201d on her last album, <em>Burn Your Fire For No Witness<\/em>, were pointing in this direction. On a prior album, Olsen\u2019s characters might have pined for a love lost, now we have one who steps up and demands, \u201cShut up, kiss me, hold me tight.\u201d \u201cShut Up Kiss Me,\u201d \u201cGive It Up,\u201d and \u201cNot Gonna Kill You\u201d exude a Lou Reed cool, that mix of pointed and playful on top of chordy riffs he used to do so well. \u201cIntern\u201d might have been rendered with a gently-picked acoustic guitar and breathing accordion before \u2013 here it\u2019s driven by synths with throbbing bass and crystalline ambient waves. \u201cNever Be Mine\u201d is more Nancy Sinatra than Nico. Even in its quieter moments, <em>My Woman<\/em> is rich and full. Olsen has found a bigger sound and a tougher disposition. And just a bigger presence all around.<br \/>\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/nleRCBhLr3k\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"857\" data-permalink=\"https:\/\/nickzaino.com\/departmentoftangents\/cessna\/\" data-orig-file=\"https:\/\/nickzaino.com\/departmentoftangents\/wp-content\/uploads\/2016\/09\/cessna.jpg\" data-orig-size=\"225,203\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"cessna\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/nickzaino.com\/departmentoftangents\/wp-content\/uploads\/2016\/09\/cessna.jpg\" data-large-file=\"https:\/\/nickzaino.com\/departmentoftangents\/wp-content\/uploads\/2016\/09\/cessna.jpg\" src=\"http:\/\/nickzaino.com\/departmentoftangents\/wp-content\/uploads\/2016\/09\/cessna.jpg\" alt=\"cessna\" width=\"225\" height=\"203\" class=\"alignleft size-full wp-image-857\" \/>3. <a href=\"http:\/\/scacunincorporated.com\/scac\/\" target=\"_blank\">Slim Cessna\u2019s Auto Club<\/a> \u2013 <em>The Commandments According to SCAC<\/em><br \/>\n<em>The Commandments According to SCAC<\/em> makes for a puzzling little package. The cover is just a pair of stained hands emerging from blackness, same with the only photo on the inside. On the back is just the band\u2019s initials \u2013 SCAC, not even the full band name \u2013 and a listing for ten tracks, each of the a numbered commandment. No listing of band members or production credits. Appropriate enigmatic for a band that\u2019s released just six studio albums in roughly 24 years. This isn\u2019t so much a collection of commandments as it is a collection of gothic fables that cover everything from retribution to heartache to animal slavery. The morals? Listen to your father. Keep between the ditches. The work is never done in \u201cCommandment 4,\u201d but you still have to keep an eye on the homestead while you\u2019re working in the field.  Over a monster electric twang and marching beat and banjo, the narrator talks of \u201cDark stains\u201d dotting the landscape and ends the story with the warning, \u201cFor all those who treated us wrong, you best prepare yourselves.\u201d The high-octane honky-tonk of \u201cCommandment 7\u201d kicks off with the accusation in call-and-response, \u201cThere is a hole where your heart used to be,\u201d the lament of someone who has finally seen the truth. The music is unquestionable dark, but there\u2019s some oddball humor lurking in some of the songs, as well. \u201cCommandment 6\u201d is sung by a horse, whose philosophy is \u201cNothing\u2019s safe,\u201d but \u201cI will always leap and this will be my weight.\u201d As accepting as he may be of his fate, he is still confused about at least one thing. \u201cI never did quite understand why I can\u2019t mount a man,\u201d he sings. \u201cWhy don\u2019t they reciprocate?\u201d The characters are strange, and the sound never settles in one place. It\u2019s an Appalachian holler and homespun instruments one minute, and then a great punch of electric guitars the next. Slim and company do like to keep you on your toes.<br \/>\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5jnrq-sNPJA\" frameborder=\"0\" allowfullscreen><\/iframe> <\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"858\" data-permalink=\"https:\/\/nickzaino.com\/departmentoftangents\/warhaus\/\" data-orig-file=\"https:\/\/nickzaino.com\/departmentoftangents\/wp-content\/uploads\/2016\/09\/warhaus.jpg\" data-orig-size=\"225,225\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"warhaus\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/nickzaino.com\/departmentoftangents\/wp-content\/uploads\/2016\/09\/warhaus.jpg\" data-large-file=\"https:\/\/nickzaino.com\/departmentoftangents\/wp-content\/uploads\/2016\/09\/warhaus.jpg\" src=\"http:\/\/nickzaino.com\/departmentoftangents\/wp-content\/uploads\/2016\/09\/warhaus.jpg\" alt=\"warhaus\" width=\"225\" height=\"225\" class=\"alignleft size-full wp-image-858\" srcset=\"https:\/\/nickzaino.com\/departmentoftangents\/wp-content\/uploads\/2016\/09\/warhaus.jpg 225w, https:\/\/nickzaino.com\/departmentoftangents\/wp-content\/uploads\/2016\/09\/warhaus-150x150.jpg 150w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/>4. <a href=\"http:\/\/warhausmusic.com\/\" target=\"_blank\">Warhaus<\/a> \u2013 <em>We Fucked A Flame Into Being<\/em><br \/>\nThe title is certainly an attention-getter. But if the title of Warhaus\u2019s new album (cribbed from D.H. Lawrence\u2019s Lady Chatterly\u2019s Lover) turns you off, you might not want to explore much further. This solo project of Balthazar singer Maarten Devoldere puts up a front of danger and seduction, with a taste for the profane. Sonically, the music is low and slinky, with an edge of menace. When this kind of music comes up on a movie soundtrack, it usually means our hero is someplace they\u2019re not supposed to be, and they\u2019re about to do something that will get them in a whole lot of trouble. \u201cYou\u2019re so mean, but that\u2019s okay\/It\u2019s more fun anyway,\u201d sings Devoldere on \u201cI\u2019m Not Him,\u201d the opening track. The album is populated with characters that need love or just stimulation sooner rather than later, but don\u2019t know how to connect. \u201cI want a memory,\u201d his character sings on \u201cMemory,\u201d something that is proving elusive. \u201cI expected to be refused,\u201d he sings, \u201cI\u2019ll accept it if you choose.\u201d A woman expels breaths suggestively in short bursts to set the rhythm for \u201cLeave With Me,\u201d as Devoldere and Sylvie Kreusch (that\u2019s her on the cover) sing, \u201cKeep your secrets\/Keep your danger\/Love me baby\/Like a stranger tonight.\u201d It\u2019s achieving the illicit on the way to divine, but the trip often stops short.<br \/>\n<iframe loading=\"lazy\" width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/279502316&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;visual=true\"><\/iframe><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>MUSIC 1. The Divine Comedy \u2013 Foreverland The Divine Comedy\u2019s latest Foreverland is definitely a pop record, but of what age? The ornate&#8230;<\/p>\n","protected":false},"author":1,"featured_media":852,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[7,1],"tags":[],"class_list":["post-851","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/nickzaino.com\/departmentoftangents\/wp-content\/uploads\/2016\/09\/divinecomedy.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7lGwW-dJ","jetpack-related-posts":[],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/posts\/851","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/comments?post=851"}],"version-history":[{"count":5,"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/posts\/851\/revisions"}],"predecessor-version":[{"id":1161,"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/posts\/851\/revisions\/1161"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/media\/852"}],"wp:attachment":[{"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/media?parent=851"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/categories?post=851"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/tags?post=851"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}