{"id":663,"date":"2016-07-01T12:06:23","date_gmt":"2016-07-01T16:06:23","guid":{"rendered":"http:\/\/nickzaino.com\/departmentoftangents\/?p=663"},"modified":"2016-11-09T04:19:08","modified_gmt":"2016-11-09T09:19:08","slug":"new-release-roundup-sara-watkins-ranch-ghost-albert-brooks-on-netflix","status":"publish","type":"post","link":"https:\/\/nickzaino.com\/departmentoftangents\/2016\/07\/01\/new-release-roundup-sara-watkins-ranch-ghost-albert-brooks-on-netflix\/","title":{"rendered":"New Release Roundup &#8211; Sara Watkins, Ranch Ghost, Albert Brooks on Netflix"},"content":{"rendered":"<p><strong>MUSIC<\/strong> <\/p>\n<p>1. <a href=\"http:\/\/www.sarawatkins.com\/\" target=\"_blank\">Sara Watkins<\/a> \u2013 <em>Young In All the Wrong Ways<\/em><br \/>\nIf you only know Sara Watkins as the fiddle player from Nickel Creek, the opening song on her latest album, <em>Young In All the Wrong Ways<\/em>, might be a minor shock. It\u2019s an aggressive sound \u2013 big, boomy drums, crunchy electric guitars, and she comes out wailing. Not a fiddle in sight. \u201cI\u2019m going out to see about my own frontier,\u201d she sings, and it seems best to believe her. This is her third solo album, and she\u2019s done plenty of other work outside of Nickel Creek (I\u2019m With Her, Watkins Family Hour), so it\u2019s not declaration of independence. And the fiddle does show up a bit later, but Watkins isn\u2019t bound to a particular sound or expectation. She lets loose again on \u201cMove Me,\u201d a great pop gem. And she uses dynamics really well, moving from delicate folky passages to soaring rock like a sucker punch. She just kicked off a fairly extensive <a href=\"http:\/\/www.sarawatkins.com\/tour\/\" target=\"_blank\">tour of the US and the UK<\/a>, and this would be a good album to catch her supporting.<br \/>\n<iframe loading=\"lazy\" src=\"http:\/\/www.npr.org\/player\/embed\/482326186\/482377784\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" title=\"NPR embedded audio player\"><\/iframe><br \/>\n<iframe loading=\"lazy\" src=\"http:\/\/www.npr.org\/player\/embed\/482326186\/482463480\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" title=\"NPR embedded audio player\"><\/iframe><br \/>\n2. <a href=\"http:\/\/www.ranchghost.com\/\" target=\"_blank\">Ranch Ghost<\/a> \u2013 <em>Lookin<\/em><br \/>\nThere is a haze hanging over <em>Lookin<\/em>, the debut album from Nashville&#8217;s twangy and psychedelic Ranch Ghost. It sounds like it could have been produced in 1971, both in the style and in the production. Sonically, there\u2019s something slightly muffled about it, like you\u2019re listening to a band play in the next room at a house party. And that would be a fantastic house party. They\u2019ve got the hip-shakin\u2019 songs and the ominous sounding organs and guitars, and a healthy dose of slapback. They cite <a href=\"http:\/\/www.linkwray.com\/\" target=\"_blank\">Link Wray<\/a> and <a href=\"http:\/\/www.beefheart.com\/\" target=\"_blank\">Captain Beefheart<\/a>&#8216;s Magic Band as influences. Put them on a spectrum somewhere between the <a href=\"http:\/\/www.rokyerickson.com\/\" target=\"_blank\">13th Floor Elevators<\/a> and <a href=\"https:\/\/en.wikipedia.org\/wiki\/The_White_Stripes\" target=\"_blank\">White Stripes<\/a>.<br \/>\n<iframe loading=\"lazy\" width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/246731970&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;visual=true\"><\/iframe><br \/>\n<iframe loading=\"lazy\" width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/246731776&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;visual=true\"><\/iframe>  <\/p>\n<p><strong>NETFLIX<\/strong><\/p>\n<p>1. The Films of <a href=\"http:\/\/www.albertbrooks.com\/\" target=\"_blank\">Albert Brooks<\/a> on <a href=\"https:\/\/www.netflix.com\/\" target=\"_blank\">Netflix <\/a><br \/>\nThese seven films written and directed by Albert Brooks aren\u2019t new \u2013 the latest entry is 2005\u2019s <em>Looking For Comedy in the Muslim World<\/em> \u2013 but they are all on Netflix together for the first time, and that\u2019s great news for comedy fans. Brooks\u2019 catalogue is as strong as anyone\u2019s, and I miss his contributions to the cinematic landscape (he mostly acts these days, though he is working on <a href=\"http:\/\/www.hollywoodreporter.com\/live-feed\/louis-ck-albert-brooks-team-851795?utm_source=Sailthru&#038;utm_medium=email&#038;utm_campaign=THR%20Breaking%20News_2016-01-04%2010:00:00_lgoldberg&#038;utm_term=hollywoodreporter_breakingnews\" target=\"_blank\">a new animated show with Louis C.K. for FX<\/a>). The core of this collection \u2013 <em>Lost In America<\/em>, <em>Modern Romance<\/em>, and <em>Real Life<\/em> \u2013 represents some of the smartest, most inventive film comedy you\u2019ll ever find. <em>Real Life<\/em> famously predicted the world of reality television. <em>Lost In America<\/em> and <em>Modern Romance<\/em> are razor sharp. The collection is rounded out by <em>Mother<\/em>, <em>The Muse<\/em>, and <em>Defending Your Life<\/em>, which turns 25 this year. Here\u2019s a special message from Brooks to Netflix on how this came to be, and why you\u2019ll give all the films five-star ratings if you have any sort of heart beating in your chest. <\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ed4YKD7WWvE\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>MUSIC 1. Sara Watkins \u2013 Young In All the Wrong Ways If you only know Sara Watkins as the fiddle player from Nickel&#8230;<\/p>\n","protected":false},"author":1,"featured_media":664,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[3,386,7],"tags":[390,394,393,395,392,396,397,399,400,388,389,398,387,401,391],"class_list":["post-663","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-comedy","category-movies","category-music","tag-13th-floor-elevators","tag-albert-brooks","tag-captain-beefheart","tag-defending-your-life","tag-link-wray","tag-looking-for-comedy-in-the-muslim-world","tag-lost-in-america","tag-modern-romance","tag-mother","tag-nickel-creek","tag-ranch-ghost","tag-real-life","tag-sara-watkins","tag-the-muse","tag-white-stripes"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/nickzaino.com\/departmentoftangents\/wp-content\/uploads\/2016\/07\/New-Release-Roundup-7-1-16.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7lGwW-aH","jetpack-related-posts":[],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/posts\/663","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/comments?post=663"}],"version-history":[{"count":5,"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/posts\/663\/revisions"}],"predecessor-version":[{"id":1185,"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/posts\/663\/revisions\/1185"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/media\/664"}],"wp:attachment":[{"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/media?parent=663"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/categories?post=663"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/tags?post=663"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}