{"id":653,"date":"2016-06-24T06:30:10","date_gmt":"2016-06-24T10:30:10","guid":{"rendered":"http:\/\/nickzaino.com\/departmentoftangents\/?p=653"},"modified":"2016-11-09T04:22:35","modified_gmt":"2016-11-09T09:22:35","slug":"new-release-roundup-avett-brothers-neil-young-cerise-ted-c-fox","status":"publish","type":"post","link":"https:\/\/nickzaino.com\/departmentoftangents\/2016\/06\/24\/new-release-roundup-avett-brothers-neil-young-cerise-ted-c-fox\/","title":{"rendered":"New Release Roundup &#8211; Avett Brothers, Neil Young, Cerise, Ted C Fox"},"content":{"rendered":"<p><strong>MUSIC <\/strong><\/p>\n<p>1. <a href=\"http:\/\/www.theavettbrothers.com\/\" target=\"_blank\">The Avett Brothers<\/a> \u2013 <em>True Sadness<\/em><br \/>\nThe Avetts\u2019 eighth studio album since 2003 starts out a bit funky with \u201cAin\u2019t No Man,\u201d the spare radio single featuring bass, voice, and a stomp-and-clamp rhythm. Nothing too out of the ordainairy for the band. They\u2019ve covered a lot of territory in the studio, from their early scream-speak to their more polished recent releases. The next few songs are folksy and thoughtful, \u201cSmithsonian\u201d being the best of them. Then things stray for a bit. The Avetts don\u2019t so much travel in a different direction as through some new things on top of it. \u201cYou Are Mine\u201d adds an electronic treatment to a folky pop tune, with gurgling synth bass and drum machine sounds straight from a Postal Service album. \u201cSatan Pulls the Strings\u201d is\u2026 well\u2026 a disco bluegrass hoedown maybe? It\u2019s a thick stew in any case, and it follows straight ahead into the title track with no pause. Things get a bit more ornate after that to keep the focus on voice, banjo, guitar, and upright bass, whether it\u2019s a more delicate piece like \u201cI Wish I Was\u201d or the country-blue bent of \u201cDivorce Separation Blue,\u201d but they\u2019ve got one more trick up their sleeve with the more heavily orchestrated final track, \u201cMay It Last.\u201d It sounds like an overture from a new Avetts musical (Steve Martin and Edie Brickell\u2019s <em>Bright Star<\/em> closes this weekend, how \u2018bout it boys?). Sadness is a strange road of new sounds and tinkering, but then, that\u2019s kind of traditional Avett Brothers.<br \/>\n<iframe loading=\"lazy\" src=\"http:\/\/www.npr.org\/player\/embed\/482010052\/482018049\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" title=\"NPR embedded audio player\"><\/iframe><br \/>\n<iframe loading=\"lazy\" src=\"http:\/\/www.npr.org\/player\/embed\/482010052\/482018496\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" title=\"NPR embedded audio player\"><\/iframe><br \/>\n2. <a href=\"http:\/\/www.neilyoung.com\/earth\/?ref=https:\/\/www.google.com\" target=\"_blank\">Neil Young\/Promise of the Real<\/a>  \u2013 <em>Earth<\/em><br \/>\nThis new live album gets to some fun corners of the Neil Young catalogue, including classics like \u201cAfter the Gold Rush\u201d and should-be classics like \u201cMy Country Home\u201d and \u201cLove and Only Love\u201d (clocking in here at a cool 28 minutes) from 1990\u2019s Ragged Glory. As he was on 2015\u2019s The Monsanto Years, Young is backed by Promise of the Real, featuring Willie Nelson\u2019s sons Lukas and Micah. If you have Tidal, you got to stream this last week. The rest of us (probably pretty much all of us) will have to pick it up today on Pono or at your local record shop. If you want it the way Neil prefers it, on vinyl, that\u2019s out August 12. There are no previews from the album online, se here\u2019s Neil explaining how they put the ecology-minded set list together, and why there are animal noises on the tracks.<br \/>\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rSY6SZe9KtA\" frameborder=\"0\" allowfullscreen><\/iframe><br \/>\n3. <a href=\"http:\/\/cerise.us\/\" target=\"_blank\">Cerise<\/a> \u2013 <em>Smoke Screen Dreams<\/em><br \/>\n<a href=\"http:\/\/www.josepharthur.com\/\" target=\"_blank\">Joseph Arthur<\/a> produced this debut album from singer Cerise, whose music can be as dark and rich as Mazzy Star or as sinewy as Superhcunk in their more brooding moments. You can get the album directly from her on <a href=\"http:\/\/cerise.bandcamp.com\/\" target=\"_blank\">her BandCamp site<\/a>.<br \/>\n<iframe loading=\"lazy\" width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/267350937&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;visual=true\"><\/iframe><br \/>\n<iframe loading=\"lazy\" width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/269052158&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;visual=true\"><\/iframe><br \/>\n4. <a href=\"http:\/\/tedcfoxmusic.com\/\" target=\"_blank\">Ted C Fox<\/a> \u2013 <em>A Gospel of Dirt<\/em><br \/>\nWant to get my attention? Re-write a classic song by The Band. I say re-write because Fox doesn\u2019t just cover \u201cThe Night They Drove Old Dixie Down,\u201d he changes the melody and chord structure and arranges it for just acoustic guitar and voice. By the time he\u2019s done, it sounds more like Elliott Smith\u2019s style than The Band\u2019s. But it works. Most of the rest of the album is not that spare. Fox manages to be both bouncy and melancholy singing over waves of distorted guitar on \u201cDrpetomania.\u201d \u201cMaiden\u201d opens like the theme to a gun fight, thick tremolo giving way to mandolins.  \u201cDurante Vita\u201d starts out with an ethereal sound of a woman\u2019s voice buried in reverb over electric guitar and mandolin, but turns into a bashing rock song a couple of minutes later. Need to give this one a couple of more listens.<br \/>\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/vNkAO7V0dHU\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>Also New In Music:<br \/>\n1. <a href=\"http:\/\/www.thefelicebrothers.com\/\" target=\"_blank\">The Felice Brothers<\/a> \u2013 <em>Life In the Dark <\/em><br \/>\n2. <a href=\"http:\/\/www.vai.com\/\" target=\"_blank\">Steve Vai<\/a> \u2013 <em>Modern Primitive\/Passion and Warfare: 25th Anniversary Edition<\/em><br \/>\n3. <a href=\"https:\/\/www.facebook.com\/Bun-E-Carlos-158423844200933\/\" target=\"_blank\">Bun E. Carlos<\/a> (Former Cheap Trick Drummer) \u2013 <em>Greetings from Bunezuela! <\/em><br \/>\n4. <a href=\"http:\/\/lonesomeshack.com\/\" target=\"_blank\">Lonesome Shack<\/a> \u2013 <em>The Switcher<\/em><br \/>\n5. <a href=\"http:\/\/www.thedeadships.com\/\" target=\"_blank\">The Dead Ships<\/a> \u2013 <em>CITYCIDE<\/em><br \/>\n6. <a href=\"http:\/\/www.mickharvey.com\/\" target=\"_blank\">Mick Harvey<\/a> \u2013 <em>Delirium Tremens <\/em><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>MUSIC 1. The Avett Brothers \u2013 True Sadness The Avetts\u2019 eighth studio album since 2003 starts out a bit funky with \u201cAin\u2019t No&#8230;<\/p>\n","protected":false},"author":1,"featured_media":654,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[7],"tags":[365,361,366,367,369,360,359,364,362,358,368,363],"class_list":["post-653","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","tag-bun-e-carlos","tag-cerise","tag-cheap-tric","tag-lonesome-shack","tag-mick-harvey","tag-neil-young","tag-neil-young-and-promise-of-the-real","tag-steve-vai","tag-ted-c-fox","tag-the-avett-brothers","tag-the-dead-ships","tag-the-felice-brothers"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/nickzaino.com\/departmentoftangents\/wp-content\/uploads\/2016\/06\/New-Release-Roundup-6-24-2016.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7lGwW-ax","jetpack-related-posts":[],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/posts\/653","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/comments?post=653"}],"version-history":[{"count":4,"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/posts\/653\/revisions"}],"predecessor-version":[{"id":1188,"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/posts\/653\/revisions\/1188"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/media\/654"}],"wp:attachment":[{"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/media?parent=653"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/categories?post=653"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/tags?post=653"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}