{"id":2295,"date":"2017-11-16T07:30:36","date_gmt":"2017-11-16T12:30:36","guid":{"rendered":"http:\/\/nickzaino.com\/departmentoftangents\/?p=2295"},"modified":"2017-11-16T03:25:02","modified_gmt":"2017-11-16T08:25:02","slug":"john-carpenter-live-in-boston","status":"publish","type":"post","link":"https:\/\/nickzaino.com\/departmentoftangents\/2017\/11\/16\/john-carpenter-live-in-boston\/","title":{"rendered":"John Carpenter: Movies for Your Mind Live in Boston"},"content":{"rendered":"<p><a href=\"http:\/\/www.theofficialjohncarpenter.com\/\" rel=\"noopener\" target=\"_blank\">John Carpenter<\/a>: The Anthology Tour<br \/>\nThe Royale, Boston 11\/15\/2017<\/p>\n<p>John Carpenter is a goddam rock star. When I bought my tickets to him live, I wasn\u2019t sure what I would think. I knew that his music was a big part of setting up the atmosphere for his movies. I wasn\u2019t sure what I would think of the music divorced from the imagery and the experience of watching the films. I also knew that last time he played live dates, when Lost Themes II came out, he did Los Angeles and Reykjavik. Seeing him in Boston would be a once-in-a-lifetime chance. So I happily plunked down my money a few months early and Wednesday night, walked by the longest line I\u2019d ever seen outside of Boston\u2019s <a href=\"https:\/\/royaleboston.com\/\" rel=\"noopener\" target=\"_blank\">Royale<\/a> club. <\/p>\n<p>I\u2019ll say it again \u2013 John Carpenter is a goddam rock star. He swaggered out onto that stage dressed in all black, and launched into \u201cEscape from New York\u201d backed by a five-piece and, including Carpenter\u2019s son Cody on lead synth. After the theme from <em>Village of the Damned<\/em>, someone yelled, \u201cWe love you,\u201d and Carpenter responded by pumping a fist in the air. He threw a metal horn when the band played \u201cVortex\u201d from the first <em>Lost Themes<\/em> album, non-soundtrack songs Carpenter noted were for \u201cthe movies in your mind.\u201d He exudes the untouchable cool of an artist who knows he\u2019s done and is doing something that solely belongs to him. <\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5TY3-Ca1E-M\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>Carpenter has a unique musical style. There\u2019s a counterpoint between background and foreground. There\u2019s always something bubbling or groaning in the background dictating the rhythm, creating a sense of urgency or looming dread. In the foreground, there are those skittering motifs like his famous piano line from \u201cHalloween,\u201d arpeggios pedaling off of the root of a root note setting things further off kilter. And of course, those wonderfully filthy synth sounds. Of course the fog machine started up in earnest when they played \u201cThe Fog,\u201d and there was something oddly heartwarming about seeing father and son play the piano and synth call-and-response. Even if people were being murdered with hooks on the screen behind them. <\/p>\n<p>As it turned out, the music wasn\u2019t completely divorced from the film. Clips from each movie played behind Carpenter as he played their respective themes. The crowd cheered for Kurt Russel\u2019s Snake Pilssken when he popped up on the screen as if he had just stepped onstage in real life. When the whole band donned sunglasses (which were available at the merch table) and the screen behind them flashed black and white signs reading \u201cCONSUME\u201d and \u201cOBEY,\u201d someone behind me yelled \u201cTwenty-minute fight scene!\u201d \u2013 a reference to the prolonged battle between Rowdy Roddy Piper and Keith David from <em>They Live<\/em>.    <\/p>\n<p>As Carpenter and his band made their way through his filmography, playing the riff-heavy \u201cPorkchop Express (Big Trouble In Little China),\u201d Jack Nitzsche\u2019s romantic \u201cStarman,\u201d the more delicate \u201cSantiago (Vampires),\u201d or the high-voltage roller-coaster of \u201cIn the Mouth of Madness,\u201d the title of the latest album became more apt. It felt like watching a good horror anthology movie (and yes, he did get to <em>Body Bags<\/em>, too). Except now, you\u2019re immersed in it. As if at the end of the night, when you walked out to the street, a truck was surely going to screech to a halt in front of you, and the passenger door would fly open to reveal Tom Atkins yelling, \u201cGet in! There\u2019s no time!\u201d<\/p>\n<p>Maybe the music shouldn\u2019t be completely divorced from the imagery of Carpenter\u2019s films. I listened to <em>Anthology<\/em> on the way home, and it kept the vibe of the show going. And it transformed the outside world. There was menace in every familiar mile. A deranged Sam Neill running through the streets of Boston\u2019s theatre district. Passing the car dealership near my house, I imagined Kurt Russell emerging from a ball of fire, trying to hold off whatever had chased him into the office. And what was that I saw in the orange glow emitting from the side window of that plain suburban two-story? Some of his best work might be the movies in your mind.  <\/p>\n<div class=\"tiled-gallery type-rectangular tiled-gallery-unresized\" data-original-width=\"880\" data-carousel-extra='{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\\\/\\\/nickzaino.com\\\/departmentoftangents\\\/2017\\\/11\\\/16\\\/john-carpenter-live-in-boston\\\/&quot;,&quot;likes_blog_id&quot;:108602730}' itemscope itemtype=\"http:\/\/schema.org\/ImageGallery\" > <div class=\"gallery-row\" style=\"width: 880px; height: 441px;\" data-original-width=\"880\" data-original-height=\"441\" > <div class=\"gallery-group images-1\" style=\"width: 587px; height: 441px;\" data-original-width=\"587\" data-original-height=\"441\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/nickzaino.com\/departmentoftangents\/2017\/11\/16\/john-carpenter-live-in-boston\/carpenter_patch\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"583\"> <meta itemprop=\"height\" content=\"437\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"2303\" data-orig-file=\"https:\/\/nickzaino.com\/departmentoftangents\/wp-content\/uploads\/2017\/11\/Carpenter_Patch.jpg\" data-orig-size=\"600,450\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.2&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;BlackBerry Q10&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1510781476&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;4.1&quot;,&quot;iso&quot;:&quot;70&quot;,&quot;shutter_speed&quot;:&quot;0.025&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Carpenter_Patch\" data-image-description=\"\" data-medium-file=\"https:\/\/nickzaino.com\/departmentoftangents\/wp-content\/uploads\/2017\/11\/Carpenter_Patch-300x225.jpg\" data-large-file=\"https:\/\/nickzaino.com\/departmentoftangents\/wp-content\/uploads\/2017\/11\/Carpenter_Patch.jpg\" src=\"https:\/\/i0.wp.com\/nickzaino.com\/departmentoftangents\/wp-content\/uploads\/2017\/11\/Carpenter_Patch.jpg?w=583&#038;h=437&#038;ssl=1\" srcset=\"https:\/\/nickzaino.com\/departmentoftangents\/wp-content\/uploads\/2017\/11\/Carpenter_Patch.jpg 600w, https:\/\/nickzaino.com\/departmentoftangents\/wp-content\/uploads\/2017\/11\/Carpenter_Patch-300x225.jpg 300w\" width=\"583\" height=\"437\" loading=\"lazy\" data-original-width=\"583\" data-original-height=\"437\" itemprop=\"http:\/\/schema.org\/image\" title=\"Carpenter_Patch\" alt=\"Carpenter_Patch\" style=\"width: 583px; 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height: 254px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <\/div>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>John Carpenter: The Anthology Tour The Royale, Boston 11\/15\/2017 John Carpenter is a goddam rock star. When I bought my tickets to him&#8230;<\/p>\n","protected":false},"author":1,"featured_media":2298,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[5,386,7],"tags":[1571,758,1575,1569,1574,1576,1573,1578,1572,1579,1570,1577],"class_list":["post-2295","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-horror","category-movies","category-music","tag-big-trouble-in-little-china","tag-halloween","tag-in-the-mouth-of-madness","tag-john-carpenter","tag-john-carpenter-anthology","tag-john-carpenters-body-bags","tag-john-carpenters-lost-themes","tag-kurt-russell","tag-the-fog","tag-the-thing","tag-they-live","tag-tom-atkins"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/nickzaino.com\/departmentoftangents\/wp-content\/uploads\/2017\/11\/Carpenter_LiveImage.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7lGwW-B1","jetpack-related-posts":[],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/posts\/2295","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/comments?post=2295"}],"version-history":[{"count":4,"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/posts\/2295\/revisions"}],"predecessor-version":[{"id":2305,"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/posts\/2295\/revisions\/2305"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/media\/2298"}],"wp:attachment":[{"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/media?parent=2295"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/categories?post=2295"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nickzaino.com\/departmentoftangents\/wp-json\/wp\/v2\/tags?post=2295"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}